Background

Manga Booth mentor Bill Masuku made his name partly by reimagining Captain South Africa as a woman, a decision that drew enough pushback that he briefly pulled the character's posters from his own table at a convention.

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Masuku's afromanga Tokoloshe Hunters, inspired by Southern African mythology, raised over $40,000 from more than 730 backers on Kickstarter, hitting 485 percent of its funding goal.

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Beyond comics, Masuku has storyboarded for Disney and Kugali's Iwaju, a three-time Emmy-nominated animated series, giving OKAF's manga mentees a direct line to someone with real studio credits.

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OKAF 2026 also quietly introduced a Dubbing Lab for aspiring voice actors and brought on Liquid Telecom as an official connectivity partner, framing the festival around Zimbabwe's wider gaming and streaming economy rather than just the one-day event.

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Chitenge Hashira cross-culture cosplay at OKAF 2025, the category's debut year with the Embassy of Japan. Photo via Otakukon.

Zimbabwe's anime and pop culture calendar hit its biggest date of the year on Sunday, 23 August 2026, when the Otakukon Anime Festival (OKAF) took over Moto Republik Hub in Harare for its fourth edition. Otaku Konnect, the organisers behind the event since 2023, had projected 500 to 700 attendees for a day built around cosplay, gaming, manga, and a Japan Culture Corner that grew significantly from last year's.

A deeper partnership with the Embassy of Japan

2026 marked the second year of the Embassy of Japan's involvement with OKAF, building on a Japan Culture Corner that organisers say was one of the most visited areas of the 2025 festival, then filled with traditional Japanese games, calligraphy, and green tea tasting. This year's edition added a hands-on onigiri-making station led by the Embassy's own chef, Arakida, and a screening of an Academy Award-nominated animated short film facilitated by the Embassy, details of which organisers said would only be confirmed closer to the event.

A manga booth with real stakes attached

The most substantial new addition was a dedicated Manga Booth, fully funded by the Embassy of Japan so the session could be free to attendees. It paired two working artists, Bill Masuku, creator of Tokoloshe Hunters and Captain South Africa with animation and storyboarding credits at Disney and Netflix, including Kugali's Emmy-nominated Iwájú, and Eli Ngundu of AfroTokyo, creator of Kalabash and one of the leading voices in African manga publishing, with aspiring local artists for direct conversations about developing a story and getting published.

The booth wasn't a symbolic gesture. It grew out of Zimbabwe's participation in the "Become a Mangaka in Japan" programme, through which three Zimbabwean artists were previously shortlisted for publication in Japan, and Masuku himself secured funding for his first Japanese publication. "What so many young artists are missing is not the ability, it's access," festival director Archie Moyo said of the booth. "A conversation with Bill or Eli could genuinely change someone's trajectory."

Cosplay, gaming, and the rest of the day

The Zimbabwe Cosplay Championship remained OKAF's signature draw, including a Chitenge Hashira cross-culture cosplay category that debuted in 2025 pairing Japanese characters with African fabric and print design. An Artist Alley hosted more than 25 local artists, illustrators, and merchants, and two gaming zones, a free-play lounge and a competitive tournament arena, covered console and PC gaming alongside dedicated youth programming. For the first time, OKAF also opened its stage to an open call for music, dance, and poetry from within the community, alongside a Kids Corner built around manga workshops, origami, and drawing competitions for under-12s.

Why it matters beyond one Sunday in Harare

Otaku Konnect has now run more than 15 events since 2023, spanning OKAF, the April gaming convention Button Bash, and the December market event Nakamarket, and picked up coverage along the way from Reuters, VOA Africa, and NewsDay. The manga mentorship story is the clearest sign yet of what that consistency can produce: a local artist with an actual publishing deal in Japan, not just a convention appearance. Continued backing from the Japanese Embassy signals Otakukon has become a recognised cultural bridge rather than a niche fan gathering, which matters for a festival still building out from a standing start three years ago.

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Rufaro