Background

Achugogo: Tale of the Spring Chaser is an African mythology inspired animated fantasy series created by Michael Uwandi, now in development with a French, South African and American production team.

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Worth Knowing

The series was honoured with the inaugural TCCF Prize at Annecy's MIFA Pitches 2026, recognised for its creative vision and its intellectual property strategy spanning both a feature film and a series.

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Worth Knowing

Zimbabwean-born writer and producer Tendayi Nyeke, credited on the TCCF selection alongside creator Michael Uwandi and executive producer Sy Huq, previously worked as a development executive at Triggerfish Animation Studios, the studio behind Netflix's first African animation series.

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Worth Knowing

Producer Sy Huq also serves as Lead Executive Producer at D'ART Shtajio in Japan, the studio behind Star Wars: Visions – The Pit and The Boys Presents: Diabolical.

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An African mythology inspired fantasy series just picked up one of animation's freshest festival honours, and the producer shaping its story is quietly building one of the more interesting careers in African animation right now.

What Achugogo actually is

Achugogo: Tale of the Spring Chaser follows three magically forged siblings on a quest to restore spring across the realm of Jooyo, blending painterly cinematic visuals with anime influenced action in a distinctive 2.5D style. Animation Magazine's Ramin Zahed featured producer Sy Huq offering an early look at the project this week, with Huq saying global partners are being secured as development accelerates toward full production.

The series was created by Michael Uwandi, who has described the project as a personal one, dedicated to an older brother who passed away during his formative years and who sparked the sense of wonder Uwandi says he is trying to capture with the show.

The win that's turning heads

At Annecy's MIFA Pitches in June, Achugogo picked up the inaugural TCCF Prize, a new partnership between Taiwan's TCCF and MIFA Pitches. The award went to the project for its strong creative vision and a comprehensive intellectual property strategy spanning both a feature film and series format, according to Señal News's coverage of the Taipei based prize. As part of the honour, the team will travel to Taiwan later this year for the 2026 TCCF Pitching event. The full credits list the series as a US, Japan and South Africa co production, with Uwandi as executive producer, writer and director, Sy Huq as executive producer and writer, and Tendayi Nyeke as producer and writer.

The career behind the credit

That producer credit is worth pausing on. Tendayi Nyeke was born in Zimbabwe and has lived and worked across Australia, the UK and South Africa, with producing credits nominated for South African Film and Television Awards across multiple genres. Before joining the Achugogo team, Nyeke worked as a development executive at Triggerfish Animation Studios, the International Emmy winning studio behind Kizazi Moto: Generation Fire, Netflix's first African animation series, where the role involved shepherding story development across a slate of shorts, series and feature film projects with global partners. Nyeke also holds an MBA in Music and Creative Industries from Henley Business School and has spoken at TV markets and festivals across South America, Europe and Southern Africa.

Why it matters here

African stories reaching international animation stages usually make headlines through the studios or the on-screen talent. This one is a reminder that the production side matters just as much, and that Nyeke's Triggerfish pedigree is now shaping the story development of a project drawing comparisons to major anime and Western animation houses at once. If Achugogo secures the global partners Huq is currently courting, it would put an African animation career built the hard way, studio to studio, market to market, on the credits of what could become one of the more closely watched mythology properties in years. That Nyeke's own story started in Zimbabwe is a nice detail on top of that, not the headline.

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Written by

Elliot